Composed of masks adorned with drapery, hats, and even blue glasses, the arrangement of figures recalls Ensor's earlier still-life compositions. Ensor's father, James Frederic Ensor, born in Brussels to English parents, was a cultivated man who studied engineering in England and Germany. A group of masked figures confronts the figure of Death, centrally situated and draped in white, a color that infiltrates the entire picture. He belongs to the Rise and the group of the XX, two circles of before guards which enable him to expose part of the paintings refused by the shows of Antwerp and Brussels and that even the public does not appreciate. Museums, collectors and enthusiasts from all over the world are fascinated by his groundbreaking art. The family rented out guest rooms and ran a souvenir shop selling curiosities. Although the instigation for including this prop may have come with his awareness of them in his family's shop, he was most probably attracted to their ability to both hide the specific identity of the figure depicted and simultaneously add a note of intrigue and mystery. James Ensor Ensor foi um artista visionário, aproximando-se estéticamente de artistas flamengos renomados como Bosch e Bruegel.. A chamada arte ensoriana revitalizou a pintura belga do século passado, influindo sobre o expressionismo e o surrealismo.. Falecido em 1949, Ensor deixou mais de 133 gravuras em metal, além de sua obra-prima, Entrada de Cristo em Bruxelas. Long before the term became a fashionable cliché, Ensor was certainly a game changer. ‘Death and the Masks’ was created in 1897 by James Ensor in Expressionism style. James Ensor - Masks Looking at a Tortoise, 1894 - Image via bp.com The Uncompromising Visuals of James Ensor. Up until that point he retained his father‘s nationality. He was associated with the artistic group Les XX.

Often deemed as too radical and extreme in both subject matter and method by his contemporaries, James Ensor was the master of using satire veiled in a colorful cloth that toyed with the viewers' minds on many levels. women on left seems pained) - subject of death; people seem to be in the clouds - symbol of death; skull face James Sidney Ensor grew up in Ostend, the son of a Belgian mother and an English father.

James Ensor, 1897 /// Symbolism: - emphasis on emotion and feeling - subject matter often reflects dram world, melancholy, an death - symbols used to represent ideas and subjects /// In this painting: - dark facial emotions (ex. She is wearing a bonnet with a cashmere stole slung over her shoulders. Women were a favourite theme too.


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